TAYLOR ISAAC GRAY
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Taylor Isaac Gray is a NYC-based actor, singer, musician, music director and arranger. He most recently appeared in the staged reading of the original musical BROADWAY LIGHTS - THE NEW ROCK MUSICAL in the role of Wyatt, and was also the show's Music Director and Orchestrator/Music Arranger.
Originally from Rochester, NY, Taylor earned his BFA in Musical Theatre from the University at Buffalo, where he had the opportunity to work with some incredible teachers and guest director/choreographers. While at UB, he participated in a number of productions including LES MISÉRABLES (Jean Valjean), THE ROCKY HORROR SHOW (Riff Raff) and GREASE (Doody).
Since graduation, he moved to NYC, has continued to audition, and started his own YouTube channel and music/video production company: TIG MUSIC. Professional career highlights: two national tours and multiple regional productions in MILLION DOLLAR QUARTET as Jerry Lee Lewis, often doubling as the show's Music Director. When not onstage, Taylor will usually be seen working on a project for clients through TIG Music.
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MILLION DOLLAR QUARTET at The Argyle Theatre
Newsday (Barbara Schuler, May 2019)
"But it's Taylor Gray, who also serves as music director, really driving the show. As Lewis, his athletic pyrotechnics on the piano (yes, he does that bit playing behind his back) bring down the house in 'Great Balls of Fire.'"
MILLION DOLLAR QUARTET at GEVA Theatre Center
Democrat & Chronicle (Marcia Morphy, June 2017)
"... Gray hurls himself into the role of the piano-pounding Lewis... like a reckless rebel with a cause, he hammered out notes in a fiery, over-the-top performance that showcased the dexterity of his hands and feet as they jump to the keyboard in gleeful, manic abandon."
MILLION DOLLAR QUARTET at Actors Theatre of Indiana
A Seat on the Aisle (Ken Klingenmeier, Sept 2016)
"... Gray (who also was Music Director) is top-of-the-line wild and crazy as the energized Jerry Lee Lewis, also managing the man’s youthful naiveté with a fine touch... mastered Lewis’s mad piano style, slapping the keys with tuneful precision and decorating his performances with an array of gymnastic moves to go along with the signature unfettered vocal style."